Thursday, 20 August 2015

roughing it in the bush- text

Chronology
1803 Susanna is born on December 6 in Suffolk, England, the youngest of six daughters of Thomas Strickland, a merchant, and his wife, Elizabeth. Two sons follow the girls. The family lives at Stowe House, near Bungay.
1808 The Stricklands move to Reydon Hall, an elegant country mansion near the Suffolk coast.
1818 Thomas Strickland dies, leaving his family in genteel poverty.
1822 Susanna’s first known published work, a children’s story called Spartacus, is published.
1825 Susanna’s brother Samuel emigrates to Upper Canada to learn farming in the colony.
1822–32 Susanna’s poems, stories, and sketches appear in several London magazines, including La Belle Assemblée, the Athenaeum, and Ackermann’s Juvenile Forget-Me-Not.
1830 Susanna spends several weeks in London as a guest of Thomas Pringle, a Scottish poet and magazine editor, and his wife. Pringle is secretary of the Anti-Slavery League.
1830 Susanna becomes engaged to John Wedderburn Dunbar Moodie, a thirty-six-year-old retired British military officer born in the Orkney Islands. He had spent several years in South Africa.
1831 Two anti-slavery pamphlets, containing first-hand accounts of the sufferings of former slaves Mary Prince and Ashton Warner transcribed by Susanna Strickland, are published in London.
1831 Susanna marries John Moodie on April 4 at St. Pancras (Anglican) Church, London. They move to a cottage in Southwold, Suffolk, nearer Susanna’s family.
1831 Publication of Enthusiasm, and Other Poems, prompted by Moodie’s intense but short-lived conversion to Congregationalism, a Nonconformist sect.
1832 Catherine Mary Josephine (Katie) is born on February 14.
1832 Catharine Parr Strickland, Susanna’s sister, marries John Moodie’s fellow officer Thomas Traill on May 13 in Suffolk.
1832 On July 1 Susanna and John Moodie sail from Leith, Scotland, for Quebec on the brig Anne. Thomas and Catharine Parr Traill leave Greenock, Scotland, two weeks later, and arrive in Montreal two weeks before the Moodies land at Quebec City. The Traills travel straight to Lakefield to be near Sam Strickland and his wife, Mary.
1832 On September 9, upon arrival in Cobourg, Upper Canada, the Moodies buy a cleared farm near Port Hope.
1833 In February Moodie’s first Canadian poems appear in the New York Albion.
1833 Birth of Moodie’s second daughter, Agnes Dunbar, on June 9.
1834 In February Moodie receives a modest legacy from an English relative. The Moodies move to a bush farm on Lake Katchewanooka, near Douro Township north of Peterborough, to be near Sam Strickland and Catharine Parr Traill.
1834 Birth of first son, John Alexander Dunbar (“Dunnie”), on August 20. The whole Moodie family is sick with “the ague,” or malarial lake fever.
1835 John Moodie’s Ten Years in South Africa is published in London by Richard Bentley.
1835–37 The Moodies gradually deplete their capital against the backdrop of an economic depression in Europe and North America.
1836 In January, thanks to the efforts of the Strickland sisters in England, Catharine Parr Traill’s The Backwoods of Canada is published in London. Its common-sense advice for immigrants to British North America makes it a bestseller.
1836 Birth of second son, Donald, on May 21.
1837 Outbreak of rebellion in Upper Canada on December 4, led by William Lyon Mackenzie. Sam Strickland and Thomas Traill join the Peterborough Volunteers and march to Port Hope to help put down the uprising.
1837 On December 8 John Moodie, who has a broken leg, follows his two brothers-in-law to the front and is made a captain in the Northumberland Militia.
1837 Moodie’s poem “Canadians, Will You Join the Band—a Loyal Song” appears in the Palladium, a prominent Toronto newspaper, on December 20. It is widely reprinted in both Upper and Lower Canada. Several more of her patriotic, pro-British poems are published in subsequent weeks.
1838 John Moodie, now a captain in the newly formed Queen’s Own Regiment of Toronto, is stationed first in Toronto, then along the U.S. border near Niagara in anticipation of cross-border raids by rebels. Susanna remains with her four small children in Douro Township. She writes to Sir George Arthur, the newly appointed lieutenant-governor, requesting a permanent appointment for her husband so that the Moodies can pay their debts. As rebel activity continues to splutter, John obtains a six-month appointment as paymaster to the militia in the Victoria District (later Hastings County).
1838 The Durham Report is published in April, recommending limited responsible government for the Union of the Canadas (a merger of Upper and Lower Canada), with a single legislature. The Moodies begin to realize that their interests align with those of Reformers rather than Tories.
1838 Birth of third son, John Strickland, on October 16.
1838 Full abolition of slavery finally instituted in all colonies.
1838–51 Moodie is a regular contributor to the Literary Garland, edited and published in Montreal by John Lovell.
1839 In January Moodie falls seriously ill with mastitis.
1839 The Traills sell their farm in March and move to Lakefield—a severe wrench for Susanna who is now, she writes to John in Belleville, “doubly lonely.”
1839 In October John Moodie finally obtains a permanent job as sheriff of Victoria District.
1840 Susanna and her children leave the backwoods on January 1 to join John in Belleville.
1840 Birth and death of fourth son, George Arthur.
1840 The Moodies’ Belleville home burns down; they lose furniture, clothing, and winter stores.
1840–48 Agnes Strickland, Moodie’s sister, gains literary fame in England with her twelve-volume series Lives of the Queens of England.
1842 John Moodie, as returning officer in the parliamentary elections, gets caught up in the bitter partisan rivalries between Belleville’s Tory and Reform voters during an election in which the prominent reformer Robert Baldwin is defeated. John is forced to call in government troops.
1843 Birth of fifth son and seventh child, Robert Baldwin.
1843 Susanna’s four-part newspaper series, “Richard Redpath. A Tale,” is published in Montreal and Toronto. It contains a clearly anti-Semitic portrait of George Benjamin, the editor of the Belleville Intelligencer who regularly disparaged John Moodie.
1844 Johnnie Moodie, aged five, drowns in the Moira River on June 18.
1847–48 Susanna and John Moodie write and edit Victoria Magazine, a periodical for farmers and mechanics.
1850 The Moodies’ second daughter, Agnes, marries Charles Thomas Fitzgibbon, a Toronto lawyer and speculator.
1852 January 9 publication in London by Richard Bentley of the first edition of Roughing It in the Bush, in two volumes, much of which had already been published in the Literary Garland and Victoria Magazine. It is dedicated to Agnes Strickland, who is, however, appalled to be associated with a book about subsistence farming in a primitive colony.
1852 In July a pirated version of Roughing It in the Bush appears in the United States to widespread American acclaim and Canadian criticism.
1852 Good reviews in Britain prompt the November 9 publication of a second British edition of Roughing It in the Bush, containing additional chapters.
1852 Catharine Parr Traill’s novel for children, Canadian Crusoes, is published.
1853 Publication in London of Moodie’s Life in the Clearings, to lukewarm reviews. Meanwhile, Sam Strickland’s exuberant Twenty-seven Years in Canada West is well-received.
1853 Publication of Moodie’s Mark Hurdlestone.
1854 On March 28 Britain and France declare war against Russia. British preoccupation with hostilities in Crimea diminishes interest in Canadian publications.
1854 Publication of Moodie’s Flora Lyndsay, or Passages in an Eventful Life and Matrimonial Speculations.
1855 The Moodies’ elder daughter, Kate, marries John Joseph Vickers, a Toronto businessman.
1855 Susanna meets the Fox sisters, two celebrated mediums, and becomes intrigued by the occult. Both Moodies embark on seances and “spiritual investigations,” of which John keeps a detailed record.
1856 The first locomotive of the Grand Trunk Railway arrives in Belleville, which now has fast connections to both Montreal and Toronto.
1856 The Moncktons is published by Richard Bentley in London.
1857 Moodie’s dedication to her sister Agnes is removed from a new edition of Roughing It in the Bush.
1860–64 During the American Civil War, the Moodies are fierce critics of slavery.
1861 On July 28 John Moodie suffers a stroke, partly as a result of stress induced by a prolonged court case in which he was unfairly accused of corruption.
1862 Susanna’s eldest son, John Dunbar, marries Eliza Russell. They settle in Belleville and have two children, but relations with the older Moodies are strained.
1863 John Moodie is forced to resign his position as sheriff of Hastings County, leaving his family with no means of support.
1863 Robert, the Moodies’ youngest son, marries Nellie Russell (no relation to her sister-in-law). He eventually takes a job with the Grand Trunk Railway, and proves a devoted and reliable son.
1864 Elizabeth Strickland dies, aged ninety-two, in Reydon Hall, Suffolk.
1865 In recognition of her literary achievements, Moodie receives a grant from London’s Royal Literary Fund for impoverished British writers.
1865 Charles Fitzgibbon, Moodie’s son-in-law, dies, leaving his impoverished widow, Agnes, with six small children.
1866 Donald, the Moodies’ second son, marries Julia Anna Russell, Eliza’s sister. He drifts in and out of jobs and becomes an alcoholic. He repeatedly petitions his parents for money.
1866 John gives the Moodies’ home in Belleville to his son Dunbar in the hope that Dunbar and Eliza will look after John and Susanna in their old age. Instead, the younger Moodies sell the property and move to the American state of Delaware to farm. Dismayed and penniless, John and Susanna move to a modest frame cottage on the Bay of Quinte, just outside Belleville. They become estranged from John and Kate Vickers, who are exasperated with the Moodies for giving their house to the feckless Dunbar.
1866 John Moodie publishes Scenes and Adventures of a Soldier and Settler during Half a Lifetime.
1867 The Confederation of the six provinces of British North America is formally established.
1868 Susanna Moodie’s last novel, The World Before Them (previously serialized in the Montreal Transcript), is published in London by Bentley.
1869John Moodie dies, aged seventy-two, in Belleville on October 22. A deeply grieving Susanna never publishes again. She now divides her time between Belleville lodgings and extended stays with her daughter Katie Vickers (with whom she now reconciles) in Toronto, her son Robert Moodie in Seaforth, Southern Ontario, and her sister Catharine Parr Traill in Lakefield. She never sees her two older sons again.
1870 Agnes Fitzgibbon, Moodie’s younger daughter, marries Lieutenant-Colonel Brown Chamberlin, the Queen’s Printer.
1871 First Canadian edition of Roughing It in the Bush is published.
1872 Accompanied by her sister Catharine, Moodie revisits for the first time Stony Lake, the beautiful, unspoiled lake that she first saw in 1835 and wrote about in Roughing It in the Bush.
1884 Moodie’s health deteriorates: she loses her sight and develops dementia. Her children move her into her daughter Katie Vickers’s house on Adelaide Street, Toronto.
1885 Susanna Moodie dies on April 8, aged eighty-two, in Toronto. She is buried in Belleville Cemetery, alongside her husband John, and George Arthur Moodie and John Strickland Moodie, the two sons who predeceased her.

A Note on the Text
It is a sign of the enduring appeal of Roughing It in the Bush that, since it first appeared more than 150 years ago, the book has been published in several different editions, by several different publishers, in London, New York, and Toronto. However, each time a publisher decided it was time to reissue Moodie’s classic, a different version appeared. Some included everything in the original edition; some omitted particular sections and/or the poetry; some included new introductions by Moodie herself and others; and a couple boasted illustrations that would likely have surprised the author herself.
Roughing It in the Bush was originally published in two volumes in London, England, in 1852. The publisher was Richard Bentley, of 8, New Burlington Street, who had enjoyed royal patronage and was therefore entitled to describe himself as “Publisher in Ordinary to Her Majesty.” The first English edition contained twenty-four chapters, several poems, and an introduction by Susanna Moodie, as well as four chapters and several poems by her husband, John Wedderburn Dunbar Moodie. The book also contained one poem by her brother Samuel Strickland. Richard Bentley republished this edition of Moodie’s book, with an additional chapter entitled “Canadian Sketches” by John Dunbar Moodie, twice: in late 1852 in a second two-volume impression, and in 1854 in a one-volume impression. Bentley then published a second edition in 1857 in “Bentley’s Popular Series”—a series of popular travel books.
The first American edition of Roughing It in the Bush also appeared in 1852, in two volumes; it did not include any of the poems. The publisher was George P. Putnam of 10, Park Place, New York. Some copies of Putnam’s edition also appeared as numbers XII and XIII in “Putnam’s Semi-monthly Library for Travellers and the Fireside.” Putnam reissued this edition in a single volume the following year, then sold the plates to another New York publisher, De Witt & Davenport, who brought out a cheaper version in 1854. Robert M. De Witt (who dissolved his partnership with Mr. Davenport) reissued this edition twice. In 1887, a two-volume set of Roughing It in the Bush appeared under the imprint of yet another New York–based publisher, John W. Lovell. Lovell had published many of Moodie’s articles in the Literary Garland when he lived in Montreal during the 1840s.
The first Canadian edition of Roughing It in the Bush was published in Toronto by Hunter, Rose & Co. in 1871. Moodie wrote a new introduction for this edition, “In Which Canada Of The Present Is Contrasted With Canada Of Forty Years Ago.”
In 1913, an illustrated edition of Roughing It in the Bush was published under different imprints in London, New York, and Toronto. (This edition, which originated in Britain with the publisher T.N. Foulis, was subsequently reproduced in 1974 and in 1980 in Toronto in the Coles Canadiana Collection.) The 1913 edition was republished by McClelland & Stewart Publishers in 1923, both with and without illustrations.
Two abridged versions of Roughing It in the Bush appeared in the mid-twentieth century. Dr. F.W. Tickner was the editor for an edition published by Thomas Nelson and Sons, Ltd., first in 1932, in The Teaching of English Series, and then in 1938, as a Nelson’s Classic. A different edition, with an introduction by Carl F. Klinck, was published in Canada by McClelland & Stewart in 1962. In 1986 the London publisher Virago brought out an abridged photographic reprint of the 1852 original, with an introduction by Margaret Atwood, in the Virago Travellers Series.
Most recently, several new editions of Roughing It in the Bush have included all the material that appeared in Moodie’s original. The new editions include a scholarly version edited by Carl Ballstadt and published by Carleton University Press in 1988 as part of the Centre for Editing Early Canadian Texts Series. In 1989 McClelland & Stewart brought out an unabridged reprint of the “second edition with additions” of Roughing It in the Bush, published in London, England, by Richard Bentley in 1852, in its New Canadian Library series edited by David Staines. The edition included as an Appendix Moodie’s introduction to the 1871 Canadian edition.
This Penguin Classics edition of Roughing It in the Bush follows the text of Richard Bentley’s second edition, published in 1852.

Roughing It
in the Bush
I sketch from Nature, and the picture’s true;
Whate’er the subject, whether grave or gay,
Painful experience is a distant land
Made it mine own.
Introduction
[to the original edition]
In most instances, emigration is a matter of necessity, not of choice; and this is more especially true of the emigration of persons of respectable connections, or of any station or position in the world. Few educated persons, accustomed to the refinements and luxuries of European society, ever willingly relinquish those advantages, and place themselves beyond the protective influence of the wise and revered institutions of their native land, without the pressure of some urgent cause. Emigration may, indeed, generally be regarded as an act of severe duty, performed at the expense of personal enjoyment, and accompanied by the sacrifice of those local attachments which stamp the scenes amid which our childhood grew, in imperishable characters upon the heart. Nor is it until adversity has pressed sorely upon the proud and wounded spirit of the well-educated sons and daughters of old but impoverished families, that they gird up the loins of the mind, and arm themselves with fortitude to meet and dare the heart-breaking conflict.
The ordinary motives for the emigration of such persons may be summed up in a few brief words;—the emigrant’s hope of bettering his condition, and of escaping from the vulgar sarcasms too often hurled at the less wealthy by the purse-proud, common-place people of the world. But there is a higher motive still, which has its origin in that love of independence which springs up spontaneously in the breasts of the high-souled children of a glorious land. They cannot labour in a menial capacity in the country where they were born and educated to command. They can trace no difference between themselves and the more fortunate individuals of a race whose blood warms their veins, and whose name they bear. The want of wealth alone places an impassable barrier between them and the more favoured offspring of the same parent stock; and they go forth to make for themselves a new name and to find another country, to forget the past and to live in the future, to exult in the prospect of their children being free and the land of their adoption great.
The choice of the country to which they devote their talents and energies depends less upon their pecuniary means than upon the fancy of the emigrant or the popularity of a name. From the year 1826 to 1829, Australia and the Swan River were all the rage. No other portions of the habitable globe were deemed worthy of notice. These were the El Dorados and lands of Goshen to which all respectable emigrants eagerly flocked. Disappointment, as a matter of course, followed their high-raised expectations. Many of the most sanguine of these adventurers returned to their shores in a worse condition than when they left them. In 1830, the great tide of emigration flowed westward. Canada became the great land-mark for the rich in hope and poor in purse. Public newspapers and private letters teemed with the unheard-of advantages to be derived from a settlement in this highly-favoured region.
Its salubrious climate, its fertile soil, commercial advantages, great water privileges, its proximity to the mother country, and last, not least, its almost total exemption from taxation—that bugbear which keeps honest John Bull in a state of constant ferment—were the theme of every tongue, and lauded beyond all praise. The general interest, once excited, was industriously kept alive by pamphlets, published by interested parties, which prominently set forth all the good to be derived from a settlement in the Backwoods of Canada; while they carefully concealed the toil and hardship to be endured in order to secure these advantages. They told of lands yielding forty bushels to the acre, but they said nothing of the years when these lands, with the most careful cultivation, would barely return fifteen; when rust and smut, engendered by the vicinity of damp overhanging woods, would blast the fruits of the poor emigrant’s labour, and almost deprive him of bread. They talked of log houses to be raised in a single day, by the generous exertions of friends and neighbours, but they never ventured upon a picture of the disgusting scenes of riot and low debauchery exhibited during the raising, or upon a description of the dwellings when raised—dens of dirt and misery, which would, in many instances, be shamed by an English pig-sty. The necessaries of life were described as inestimably cheap; but they forgot to add that in remote bush settlements, often twenty miles from a market town, and some of them even that distance from the nearest dwelling, the necessaries of life, which would be deemed indispensable to the European, could not be procured at all, or, if obtained, could only be so by sending a man and team through a blazed forest road,—a process far too expensive for frequent repetition.
Oh, ye dealers in wild lands—ye speculators in the folly and credulity of your fellow men—what a mass of misery, and of misrepresentation productive of that misery, have ye not to answer for! You had your acres to sell, and what to you were the worn-down frames and broken hearts of the infatuated purchasers? The public believed the plausible statements you made with such earnestness, and men of all grades rushed to hear your hired orators declaim upon the blessings to be obtained by the clearers of the wilderness.
Men who had been hopeless of supporting their families in comfort and independence at home, thought that they had only to come out to Canada to make their fortunes; almost even to realise the story told in the nursery, of the sheep and oxen that ran about the streets, ready roasted, and with knives and forks upon their backs. They were made to believe that if it did not actually rain gold, that precious metal could be obtained, as is now stated of California and Australia, by stooping to pick it up.
The infection became general. A Canada mania pervaded the middle ranks of British society; thousands and tens of thousands, for the space of three or four years landed upon these shores. A large majority of the higher class were officers of the army and navy, with their families—a class perfectly unfitted by their previous habits and education for contending with the stern realities of emigrant life. The hand that has long held the sword, and been accustomed to receive implicit obedience from those under its control, is seldom adapted to wield the spade and guide the plough, or try its strength against the stubborn trees of the forest. Nor will such persons submit cheerfully to the saucy familiarity of servants, who, republicans in spirit, think themselves as good as their employers. Too many of these brave and honourable men were easy dupes to the designing land-speculators. Not having counted the cost, but only looked upon the bright side of the picture held up to their admiring gaze, they fell easily into the snares of their artful seducers.
To prove their zeal as colonists, they were induced to purchase large tracts of wild land in remote and unfavourable situations. This, while it impoverished and often proved the ruin of the unfortunate immigrant, possessed a double advantage to the seller. He obtained an exorbitant price for the land which he actually sold, while the residence of a respectable settler upon the spot greatly enhanced the value and price of all other lands in the neighbourhood.
It is not by such instruments as those I have just mentioned, that Providence works when it would reclaim the waste places of the earth, and make them subservient to the wants and happiness of its creatures. The Great Father of the souls and bodies of men knows the arm which wholesome labour from infancy has made strong, the nerves which have become iron by patient endurance, by exposure to weather, coarse fare, and rude shelter; and he chooses such, to send forth into the forest to hew out the rough paths for the advance of civilisation. These men become wealthy and prosperous, and form the bones and sinews of a great and rising country. Their labour is wealth, not exhaustion; it produces independence and content, not home-sickness and despair. What the Backwoods of Canada are to the industrious and ever-to-be-honoured sons of honest poverty, and what they are to the refined and accomplished gentleman, these simple sketches will endeavour to portray. They are drawn principally from my own experience, during a sojourn of nineteen years in the colony.
In order to diversify my subject, and make it as amusing as possible, I have between the sketches introduced a few small poems, all written during my residence in Canada, and descriptive of the country.
In this pleasing task, I have been assisted by my husband, J.W. Dunbar Moodie, author of “Ten Years in South Africa.”
 
Belleville, Upper Canada.

Canada
Canada, the blest—the free!
With prophetic glance, I see
Visions of thy future glory,
Giving to the world’s great story
A page, with mighty meaning fraught,
That asks a wider range of thought.
Borne onward on the wings of Time,
I trace thy future course sublime;
And feel my anxious lot grow bright,
While musing on the glorious sight;—
Yea, my heart leaps up with glee
To hail thy noble destiny!
Even now thy sons inherit
All thy British mother’s spirit.
Ah! no child of bondage thou;
With her blessing on thy brow,
And her deathless, old renown
Circling thee with freedom’s crown,
And her love within thy heart,
Well may’st thou perform thy part,
And to coming years proclaim
Thou art worthy of her name.
Home of the homeless!—friend to all
Who suffer on this earthly ball!
On thy bosom sickly care
Quite forgets her squalid lair;
Gaunt famine, ghastly poverty
Before thy gracious aspect fly,
And hopes long crush’d, grow bright again.
And, smiling, point to hill and plain.
By thy winter’s stainless snow,
Starry heavens of purer glow,
Glorious summers, fervid, bright,
Basking in one blaze of light;
By thy fair, salubrious clime;
By thy scenery sublime;
By thy mountains, streams, and woods;
By thy everlasting floods;
If greatness dwells beneath the skies,
Thou to greatness shall arise!
Nations old, and empires vast,
From the earth had darkly pass’d
Ere rose the fair auspicious morn
When thou, the last, not least, was born.
Through the desert solitude
Of trackless waters, forests rude,
Thy guardian angel sent a cry
All jubilant of victory!
“Joy,” she cried, “to th’ untill’d earth,
Let her joy in a mighty nation’s birth,—
Night from the land has pass’d away,
The desert basks in noon of day.
Joy, to the sullen wilderness,
I come, her gloomy shades to bless,
To bid the bear and wild-cat yield
Their savage haunts to town and field.
Joy, to stout hearts and willing hands,
That win a right to these broad lands,
And reap the fruit of honest toil,
Lords of the rich, abundant soil.
“Joy, to the sons of want, who groan
In lands that cannot feed their own;
And seek, in stern, determined mood,
Homes in the land of lake and wood,
And leave their hearts’ young hopes behind,
Friends in this distant world to find;
Led by that God, who from His throne
Regards the poor man’s stifled moan.
Like one awaken’d from the dead,
The peasant lifts his drooping head,
Nerves his strong heart and sun-burnt hand,
To win a portion of the land,
That glooms before him far and wide
In frowning woods and surging tide
No more oppress’d, no more a slave,
Here freedom dwells beyond the wave.
“Joy, to those hardy sires who bore
The day’s first heat—their toils are o’er;
Rude fathers of this rising land,
Theirs was a mission truly grand.
Brave peasants whom the Father, God,
Sent to reclaim the stubborn sod;
Well they perform’d their task, and won
Altar and hearth for the woodman’s son.
Joy, to Canada’s unborn heirs,
A deathless heritage is theirs;
For, sway’d by wise and holy laws,
Its voice shall aid the world’s great cause,
Shall plead the rights of man, and claim
For humble worth an honest name;
Shall show the peasant-born can be,
When call’d to action, great and free.
Like fire, within the flint conceal’d,
By stern necessity reveal’d,
Kindles to life the stupid sod,
Images of perfect man and God.
“Joy, to thy unborn sons, for they
Shall hail a brighter, purer day;
When peace and Christian brotherhood
Shall form a stronger tie than blood—
And commerce, freed from tax and chain,
Shall build a bridge o’er earth and main;
And man shall prize the wealth of mind,
The greatest blessing to mankind;
True Christians, both in word and deed,
Ready in virtue’s cause to bleed,
Against a world combined to stand,
And guard the honour of the land.
Joy, to the earth, when this shall be,
Time verges on eternity.”

ONE

A VISIT TO GROSSE ISLE
Alas! that man’s stern spirit e’er should mar
A scene so pure—so exquisite as this.
The dreadful cholera was depopulating Quebec and Montreal, when our ship cast anchor off Grosse Isle, on the 30th of August, 1832, and we were boarded a few minutes after by the health-officers. One of these gentlemen—a little, shrivelled-up Frenchman—from his solemn aspect and attenuated figure, would have made no bad representative of him who sat upon the pale horse. He was the only grave Frenchman I had ever seen, and I naturally enough regarded him as a phenomenon. His companion—a fine-looking fair-haired Scotchman—though a little consequential in his manners, looked like one who in his own person could combat and vanquish all the evils which flesh is heir to. Such was the contrast between these doctors, that they would have formed very good emblems—one, of vigorous health; the other, of hopeless decay.
Our captain, a rude blunt north-country sailor possessing certainly not more politeness than might be expected in a bear, received his sprucely dressed visitors on the deck, and, with very little courtesy, abruptly bade them follow him down into the cabin.
The officials were no sooner seated, than glancing hastily round the place, they commenced the following dialogue:—
“From what port, captain?”
Now, the captain had a peculiar language of his own, from which he commonly expunged all the connecting links. Small words, such as “and” and “the,” he contrived to dispense with altogether.
“Scotland—sailed from port o’ Leith, bound for Quebec, Montreal—general cargo—seventy-two steerage, four cabin passengers—brig, ninety-two tons burden, crew eight hands.” Here he produced his credentials, and handed them to the strangers. The Scotchman just glanced over the documents, and laid them on the table.
“Had you a good passage out?”
“Tedious, baffling winds, heavy fogs, detained three weeks on Banks—foul weather making Gulf—short of water, people out of provisions, steerage passengers starving.”
“Any case of sickness or death on board?”
“All sound as crickets.”
“Any births?” lisped the little Frenchman.
The captain screwed up his mouth, and after a moment’s reflection he replied, “Births? Why, yes; now I think on’t, gentlemen, we had one female on board, who produced three at a birth.”
“That’s uncommon,” said the Scotch doctor, with an air of lively curiosity. “Are the children alive and well? I should like much to see them.” He started up, and knocked his head, for he was very tall, against the ceiling. “Confound your low cribs! I have nearly dashed out my brains.”
“A hard task, that,” looked the captain to me. He did not speak, but I knew by his sarcastic grin what was uppermost in his thoughts. “The young ones all males—fine thriving fellows. Step upon the deck, Sam Frazer,” turning to his steward; “bring them down for doctors to see.” Sam vanished, with a knowing wink to his superior, and quickly returned, bearing in his arms three fat, chuckle-headed bull-terriers; the sagacious mother following close at his heels, and looking ready to give and take offence on the slightest provocation.
“Here, gentlemen, are the babies,” said Frazer, depositing his burden on the floor. “They do credit to the nursing of the brindled slut.”
The old tar laughed, chuckled, and rubbed his hands in an ecstacy of delight at the indignation and disappointment visible in the countenance of the Scotch Esculapius, who, angry as he was, wisely held his tongue. Not so the Frenchman; his rage scarcely knew bounds,—he danced in a state of most ludicrous excitement,—he shook his fist at our rough captain, and screamed at the top of his voice,
“Sacré, you bête! You tink us dog, yen you try to pass your puppies on us for babies?”
“Hout, man, don’t be angry,” said the Scotchman, stifling a laugh; “you see’tis only a joke!”
“Joke! me no understand such joke. Bête!” returned the angry Frenchman, bestowing a savage kick on one of the unoffending pups which was frisking about his feet. The pup yelped; the slut barked and leaped furiously at the offender, and was only kept from biting him by Sam, who could scarcely hold her back for laughing; the captain was uproarious; the offended Frenchman alone maintained a severe and dignified aspect. The dogs were at length dismissed, and peace restored.
After some further questioning from the officials, a bible was required for the captain to take an oath. Mine was mislaid, and there was none at hand.
“Confound it!” muttered the old sailor, tossing over the papers in his desk; “that scoundrel, Sam, always stows my traps out of the way.” Then taking up from the table a book which I had been reading, which happened to be Voltaire’s History of Charles XII., he presented it, with as grave an air as he could assume, to the Frenchman. Taking for granted that it was the volume required, the little doctor was too polite to open the book, the captain was duly sworn, and the party returned to the deck.
Here a new difficulty occurred, which nearly ended in a serious quarrel. The gentlemen requested the old sailor to give them a few feet of old planking, to repair some damage which their boat had sustained the day before. This the captain could not do. They seemed to think his refusal intentional, and took it as a personal affront. In no very gentle tones, they ordered him instantly to prepare his boats, and put his passengers on shore.
“Stiff breeze—short sea,” returned the bluff old seaman; “great risk in making land—boats heavily laden with women and children will be swamped. Not a soul goes on shore this night.”
“If you refuse to comply with our orders, we will report you to the authorities.”
“I know my duty—you stick to yours. When the wind falls off, I’ll see to it. Not a life shall be risked to please you or your authorities.”
He turned upon his heel, and the medical men left the vessel in great disdain. We had every reason to be thankful for the firmness displayed by our rough commander. That same evening we saw eleven persons drowned, from another vessel close beside us, while attempting to make the shore.
By daybreak all was hurry and confusion on board the Anne. I watched boat after boat depart for the island, full of people and goods, and envied them the glorious privilege of once more standing firmly on the earth, after two long months of rocking and rolling at sea. How ardently we anticipate pleasure, which often ends in positive pain! Such was my case when at last indulged in the gratification so eagerly desired. As cabin passengers, we were not included in the general order of purification, but were only obliged to send our servant, with the clothes and bedding we had used during the voyage, on shore, to be washed.
The ship was soon emptied of all her live cargo. My husband went off with the boats, to reconnoitre the island, and I was left alone with my baby, in the otherwise empty vessel. Even Oscar, the Captain’s Scotch terrier, who had formed a devoted attachment to me during the voyage, forgot his allegiance, became possessed of the land mania, and was away with the rest. With the most intense desire to go on shore, I was doomed to look and long and envy every boatful of emigrants that glided past. Nor was this all; the ship was out of provisions, and I was condemned to undergo a rigid fast until the return of the boat, when the captain had promised a supply of fresh butter and bread. The vessel had been nine weeks at sea; the poor steerage passengers for the two last weeks had been out of food, and the captain had been obliged to feed them from the ship’s stores. The promised bread was to be obtained from a small steam-boat, which plied daily between Quebec and the island, transporting convalescent emigrants and their goods in her upward trip, and provisions for the sick on her return.
How I reckoned on once more tasting bread and butter! The very thought of the treat in store served to sharpen my appetite, and render the long fast more irksome. I could now fully realise all Mrs. Bowdich’s longings for English bread and butter, after her three years’ travel through the burning African deserts, with her talented husband.
“When we arrived at the hotel at Plymouth,” said she, “and were asked what refreshment we chose—‘Tea, and home-made bread and butter,’ was my instant reply. ‘Brown bread, if you please, and plenty of it.’ I never enjoyed any luxury like it. I was positively ashamed of asking the waiter to refill the plate. After the execrable messes, and the hard ship-biscuit, imagine the luxury of a good slice of English bread and butter!”
At home, I laughed heartily at the lively energy with which that charming woman of genius related this little incident in her eventful history,—but off Grosse Isle, I realised it all.
As the sun rose above the horizon, all these matter-of-fact circumstances were gradually forgotten, and merged in the surpassing grandeur of the scene that rose majestically before me. The previous day had been dark and stormy; and a heavy fog had concealed the mountain chain, which forms the stupendous background to this sublime view, entirely from our sight. As the clouds rolled away from their grey, bald brows, and cast into denser shadow the vast forest belt that girdled them round, they loomed out like mighty giants—Titans of the earth, in all their rugged and awful beauty—a thrill of wonder and delight pervaded my mind. The spectacle floated dimly on my sight—my eyes were blinded with tears—blinded with the excess of beauty. I turned to the right and to the left, I looked up and down the glorious river; never had I beheld so many striking objects blended into one mighty whole! Nature had lavished all her noblest features in producing that enchanting scene.
The rocky isle in front, with its neat farm-houses at the eastern point, and its high bluff at the western extremity, crowned with the telegraph—the middle space occupied by tents and sheds for the cholera patients, and its wooded shores dotted over with motley groups—added greatly to the picturesque effect of the land scene. Then the broad, glittering river, covered with boats darting to and fro, conveying passengers from twenty-five vessels, of various size and tonnage, which rode at anchor, with their flag flying from the mast-head, gave an air of life and interest to the whole. Turning to the south side of the St. Lawrence, I was not less struck with its low fertile shores, white houses, and neat churches, whose slender spires and bright tin roofs shone like silver as they caught the first rays of the sun. As far as the eye could reach, a line of white buildings extended along the bank; their background formed by the purple hue of the dense, interminable forest. It was a scene unlike any I had ever beheld, and to which Britain contains no parallel. Mackenzie, an old Scotch dragoon, who was one of our passengers, when he rose in the morning, and saw the parish of St. Thomas for the first time, exclaimed—“Weel, it beats a’! Can thae white clouts be a’ houses? They look like claes hung out to drie!” There was some truth in this odd comparison, and for some minutes, I could scarcely convince myself that the white patches scattered so thickly over the opposite shore could be the dwellings of a busy, lively population.
“What sublime views of the north side of the river those habitans of St. Thomas must enjoy,” thought I. Perhaps familiarity with the scene has rendered them indifferent to its astonishing beauty.
Eastward, the view down the St. Lawrence towards the Gulf, is the finest of all, scarcely surpassed by anything in the world. Your eye follows the long range of lofty mountains until their blue summits are blended and lost in the blue of the sky. Some of these, partially cleared round the base, are sprinkled over with neat cottages; and the green slopes that spread around them are covered with flocks and herds. The surface of the splendid river is diversified with islands of every size and shape, some in wood, others partially cleared, and adorned with orchards and white farm-houses. As the early sun streamed upon the most prominent of these, leaving the others in deep shade, the effect was strangely novel and imposing. In more remote regions, where the forest has never yet echoed to the woodman’s axe, or received the impress of civilisation, the first approach to the shore inspires a melancholy awe, which becomes painful in its intensity.
Land of vast hills and mighty streams,
The lofty sun that o’er thee beams
On fairer clime sheds not his ray,
When basking in the noon of day
Thy waters dance in silver light,
And o’er them frowning, dark as night,
Thy shadowy forests, soaring high,
Stretch forth beyond the aching eye,
And blend in distance with the sky.
And silence—awful silence broods
Profoundly o’er these solitudes;
Nought but the lapsing of the floods
Breaks the deep stillness of the woods;
A sense of desolation reigns
O’er these unpeopled forest plains,
Where sounds of life ne’er wake a tone
Of cheerful praise round Nature’s throne,
Man finds himself with God—alone.
My day-dreams were dispelled by the return of the boat, which brought my husband and the captain from the island.
“No bread,” said the latter, shaking his head; “you must be content to starve a little longer. Provision-ship not in till four o’clock.” My husband smiled at the look of blank disappointment with which I received these unwelcome tidings. “Never mind, I have news which will comfort you. The officer who commands the station sent a note to me by an orderly, inviting us to spend the afternoon with him. He promises to show us everything worthy of notice on the island. Captain —— claims acquaintance with me; but I have not the least recollection of him. Would you like to go?”
“Oh, by all means. I long to see the lovely island. It looks a perfect paradise at this distance.”
The rough sailor-captain screwed his mouth on one side, and gave me one of his comical looks, but he said nothing until he assisted in placing me and the baby in the boat.
“Don’t be too sanguine, Mrs. Moodie; many things look well at a distance which are bad enough when near.”
I scarcely regarded the old sailor’s warning. So eager was I to go on shore—to put my foot upon the soil of the new world for the first time—I was in no humour to listen to any depreciation of what seemed so beautiful.
It was four o’clock when we landed on the rocks, which the rays of an intensely scorching sun had rendered so hot that I could scarcely place my foot upon them. How the people without shoes bore it, I cannot imagine. Never shall I forget the extraordinary spectacle that met our sight the moment we passed the low range of bushes which formed a screen in front of the river. A crowd of many hundred Irish emigrants had been landed during the present and former day; and all this motley crew—men, women, and children, who were not confined by sickness to the sheds (which greatly resembled cattle-pens)— were employed in washing clothes, or spreading them out on the rocks and bushes to dry.
The men and boys were in the water, while the women, with their scanty garments tucked above their knees, were trampling their bedding in tubs, or in holes in the rocks, which the retiring tide had left half full of water. Those who did not possess washing-tubs, pails, or iron pots, or could not obtain access to a hole in the rocks, were running to and fro, screaming and scolding in no measured terms. The confusion of Babel was among them. All talkers and no hearers—each shouting and yelling in his or her uncouth dialect, and all accompanying their vociferations with violent and extraordinary gestures, quite incomprehensible to the uninitiated. We were literally stunned by the strife of tongues. I shrank, with feelings almost akin to fear, from the hard-featured, sun-burnt harpies, as they elbowed rudely past me.
I had heard and read much of savages, and have since seen, during my long residence in the bush, somewhat of uncivilised life; but the Indian is one of Nature’s gentlemen—he never says or does a rude or vulgar thing. The vicious, uneducated barbarians who form the surplus of over-populous European countries, are far behind the wild man in delicacy of feeling or natural courtesy. The people who covered the island appeared perfectly destitute of shame, or even of a sense of common decency. Many were almost naked, still more but partially clothed. We turned in disgust from the revolting scene, but were unable to leave the spot until the captain had satisfied a noisy group of his own people, who were demanding a supply of stores.
And here I must observe that our passengers, who were chiefly honest Scotch labourers and mechanics from the vicinity of Edinburgh, and who while on board ship had conducted themselves with the greatest propriety, and appeared the most quiet, orderly set of people in the world, no sooner set foot upon the island than they became infected by the same spirit of insubordination and misrule, and were just as insolent and noisy as the rest.
While our captain was vainly endeavouring to satisfy the unreasonable demands of his rebellious people, Moodie had discovered a woodland path that led to the back of the island. Sheltered by some hazel-bushes from the intense heat of the sun, we sat down by the cool, gushing river, out of sight, but, alas! not out of hearing of the noisy, riotous crowd. Could we have shut out the profane sounds which came to us on every breeze, how deeply should we have enjoyed an hour amid the tranquil beauties of that retired and lovely spot!
The rocky banks of the island were adorned with beautiful evergreens, which sprang up spontaneously in every nook and crevice. I remarked many of our favourite garden shrubs among these wildings of nature. The fillagree, with its narrow, dark glossy-green leaves; the privet, with its modest white blossoms and purple berries; the lignum-vitae, with its strong resinous odour; the burnet-rose, and a great variety of elegant unknowns.
Here, the shores of the island and mainland, receding from each other, formed a small cove, overhung with lofty trees, clothed from the base to the summit with wild vines, that hung in graceful festoons from the topmost branches to the water’s edge. The dark shadows of the mountains, thrown upon the water, as they towered to the height of some thousand feet above us, gave to the surface of the river an ebon hue. The sunbeams, dancing through the thick, quivering foliage, fell in stars of gold, or long lines of dazzling, brightness, upon the deep black waters, producing the most novel and beautiful effects. It was a scene over which the spirit of peace might brood in silent adoration; but how spoiled by the discordant yells of the filthy beings who were sullying the purity of the air and water with contaminating sights and sounds!
We were now joined by the sergeant, who very kindly brought us his capful of ripe plums and hazel-nuts, the growth of the island; a joyful present, but marred by a note from Captain ——, who had found that he had been mistaken in his supposed knowledge of us, and politely apologised for not being allowed by the health-officers to receive any emigrant beyond the bounds appointed for the performance of quarantine.
I was deeply disappointed, but my husband laughingly told me that I had seen enough of the island; and turning to the good-natured soldier, remarked, that “it could be no easy task to keep such wild savages in order.”
“You may well say that, sir—but our night scenes far exceed those of the day. You would think they were incarnate devils; singing, drinking, dancing, shouting, and cutting antics that would surprise the leader of a circus. They have no shame—are under no restraint— nobody—knows them here, and they think they can speak and act as they please; and they are such thieves that they rob one another of the little they possess. The healthy actually run the risk of taking the cholera by robbing the sick. If you have not hired one or two stout, honest fellows from among your fellow-passengers to guard your clothes while they are drying, you will never see half of them again. They are a sad set, sir, a sad set. We could, perhaps, manage the men; but the women, sir!—the women! Oh, sir!”
Anxious as we were to return to the ship, we were obliged to remain until sun-down in our retired nook. We were hungry, tired, and out of spirits; the mosquitoes swarmed in myriads around us, tormenting the poor baby, who, not at all pleased with her first visit to the new world, filled the air with cries; when the captain came to tell us that the boat was ready. It was a welcome sound.
Forcing our way once more through the still squabbling crowd, we gained the landing-place. Here we encountered a boat, just landing a fresh cargo of lively savages from the Emerald Isle. One fellow, of gigantic proportions, whose long, tattered great-coat just reached below the middle of his bare red legs, and, like charity, hid the defects of his other garments, or perhaps concealed his want of them, leaped upon the rocks, and flourishing aloft his shilelagh, bounded and capered like a wild goat from his native mountains. “Whurrah! my boys!” he cried, “Shure we’ll all be jontlemen!”
“Pull away, my lads!” said the captain. Then turning to me, “Well, Mrs. Moodie, I hope that you have had enough of Grosse Isle. But could you have witnessed the scenes that I did this morning—”
Here he was interrupted by the wife of the old Scotch Dragoon, Mackenzie, running down to the boat, and laying her hand familiarly upon his shoulder, “Captain, dinna forget.”
“Forget what?”
She whispered something confidentially in his ear.
“Oh, ho! the brandy!” he responded aloud. “I should have thought, Mrs. Mackenzie, that you had had enough of that same, on yon island?”
“Aye, sic a place for decent folk,” returned the drunken body, shaking her head. “One needs a drap o’ comfort, captain, to keep up one’s heart avá.”
The captain set up one of his boisterous laughs, as he pushed the boat from the shore. “Hollo! Sam Frazer! steer in, we have forgotten the stores.”
“I hope not, captain,” said I; “I have been starving since daybreak.”
“The bread, the butter, the beef, the onions and potatoes are here, sir,” said honest Sam, particularising each article.
“All right; pull for the ship. Mrs. Moodie, we will have a glorious supper, and mind you don’t dream of Grosse Isle.”
In a few minutes we were again on board. Thus ended my first day’s experience of the land of all our hopes.
Oh! Can You Leave Your Native Land?
A Canadian Song.
Oh! can you leave your native land
An exile’s bride to be;
Your mother’s home, and cheerful hearth,
To tempt the main with me;
Across the wide and stormy sea
To trace our foaming track,
And know the wave that heaves us on
Will never bear us back?
And can you in Canadian woods
With me the harvest bind,
Nor feel one lingering, sad regret
For all you leave behind?
Can those dear hands, unused to toil,
The woodman’s wants supply,
Nor shrink beneath the chilly blast
When wintry storms are nigh?
Amid the shades of forests dark,
Our loved isle will appear
An Eden, whose delicious bloom
Will make the wild more drear.
And you in solitude will weep
O’er scenes beloved in vain,
And pine away your life to view
Once more your native plain.
Then pause, dear girl! ere those fond lips
Your wanderer’s fate decide;
My spirit spurns the selfish wish—
You must not be my bride.
But oh, that smile—those tearful eyes,
My firmer purpose move—
Our hearts are one, and we will dare
All perils thus to love!*


SURVIVAL
CHAPTER 3: ANIMAL VICTIMS
      SYNOPSIS
Introduction:
     -Presentation of Animal Characters   British literatures
     - Animal images & Animal subject of American Literature
     - The Canadian Animal Stories & the tone & the subject matter & the message
     - The two Genres of the Animal Stories
     - The Animal Poems of the Canadian Lit. of 19th Century
     - The prose of the C19th Canadian Lit. with animals.

Introduction:
     In contrast to the view of Nature as Monster, so prevalent in Canadian Literature, the Canadian animal story is about the Canadian sense of the inveriably ill-fated victimization and failure amounting to death sometimes Atwood has named this the "important facet of the Canadian Psyche" and she invites an interested reader to start reading animal stories of Canada to be able to understand the victimization complex as the very typical Canadian sensibility.
Presentation of Animal Character in American, British and Canadian Literature:
     Stories ostensibly about animals are common in British literature such as Kipling's Mowgli stories, Kenneth Grahame's The Wind In the Willows or Beetrix Potter's tales or Carol Levis's Alice in Wonderland these animals are clothed in human clothing of fury-zippered suits and speak fluent English and are assigned places in a hierarchical social order, which is essentially British or British colonial (as in the Mowli's stories) by the Mowgli stories, the Toaad of "Toad Hell" is an upper-class twit and the stoats and ferrets which invade his mansion are working class louts and scoundrels.  The fact that these books can be easily translated into plays, ballets and cartoon movies and complete with song, dance, speech and costume, is an indication of the essentially human nature of the protagonists.  The happy endings of these stories are significant that they are British (humna) stories.  Animals appear in American literature minus clothes and the ability to speak English.  In American literature animals are not the centre of the action.  American literatures present stories of animal hunting subject.  The hunter is the centre of action and not the hunted, as in Canadian literature.
What do the American literature about animals and animal images:
     There are five examples that Atwood presents to show how the American "Success" stories are subjects about the real animals as the "hunted failures" and the men as the "successful hunter".  They are: the white whale in Moby Dick, the bear in Faulkner's "The Bear", the lion in Hemingway's "The Short Happy Life of Francis Macomber", the grizzlies in Mailer's Why Are we In Viet Nam?, and the deer in James Dickey's Deliverance.  All these animals are endowed with magic symbolic qualities such as 'Nature', 'mystery', 'challenge', 'otherness', what lies beyond the Frontier, and 'energy, Violence and Wildness of Nature'.  The "hunter" man tries to conquer them by killing them and assimilating their magic qualities of energy, Violence and wildness of Nature, thus winning over Nature and enhancing his own stature.
     American stories are thus Quest stories.  They talk about quest of success until death, the never-to-find-death being the end of success.  They are also a comment on the general imperialism of the American east of mind, the Winning principle.
     In certain of the American Stories, as it is in Canadian stories, the animals are shown to be successful, but the success being measured in terms of the "animal's adjustment to people" ------- as in Jack London's White Fang, where the wolf dog mistreated when it was young begins by hating men but ends up lovign them.
The Canadian Animal Stories: The tone, the point of view, and the subject matter.
     Sir Charles. G.D. Roberts and Ernest Thompson Seton have written animal stories that are called as "realistic" animal stories.  While the English Animal stories are about "social relations", the American ones are about "people successful over animals", the Canadian animal stories are about "animals being killed, as felt emotionally from inside the far and feathers empathetically.  Hence Canadian animal stories are almost invariably failure stories, ending with the death of the animal.  The Canadian animal stories are told from the animal's point of view as not just tragic stories but "pathetic" stories.  The death of the animals are pathetic because they cannot help themselves: Animals are innocent victims in Canadian literature.
 The Victor - Victim Game positions as applied to Man - Animal stories of Canada.
     Seton and Roberts present a situation of Nature in which the animal is always a pathetic victims.  No mstter how brave, cunning and strong he is, he will be killed eventually, either by by other animals (which these authors do not seem to mind too much; it is part of the game) or by men.  Seton reverses Nature - as - Monster pattern and shows man as a threat and a villain.  The animals suffer much more through men, with their (men's) snares, traps, chains and poisons.  These animals are pathetic innocent victims who suffer.  They are not shown as active tragic victims with a tragic flaw in Canlit.
James Polk says in his essay, "Lives of the Hunted: The Canadian Animal Stories and the National Identity":
These doleful endings and the member of stoic moose, tragic bears, grouse dying in the snow, woodchucks devoured, Salmon failing to make it upstream, grief-stricken wolves adn doomed balls of fur, feathers and guills squealing for dead mothers tend to intill a certain fatalism in the reader...
Message of the Stories:
     The "ealistic" animal stories of Seton and Roberts are symbolic stories which present animals as victims as the Panchatantra or Jataka tales of India.  They are a specific genre of Canadian literature adn they symoblize a specific trait of the Canadian national psyche such as the inevitable victimization.  They are also stories real animals who are shown to be perpectually on their heels, running for their lives.  Peading them makes the readers be instilled with the sense of Canadian fatalism.
The Two Important Genres of the Real Animal Stories:
     Among the Real Animal Stories, there are two genres of fiction -- One is the stories about the death of individulal animals and the other is the stories about the death or extinction of a species of animals.  fred Bodworth's The Last of the Curlews and Farley Mowat's Never Cry Wolf show the marked difference between the earlier Seton adn Roberts stories and the later Bodsworth and Moweat ones is that in the former it is the individual who dies and in the latter it is the individual who dies and in the latter it is the species who dies.  The Bodworth's and Mowat's stories also talk about the whole Arctic ecological balance as threatened by the white man's short-sighted and destructive policies.  Man is again the villain here, but on a much larger scale.
Animal poem of the 19th Century Canadian Literature:
     The Broken Ark is an authology of poems edited by Michael Ondaatje, where the majority of the poems are about animals either dead or dying, their death often caused by man.  There are also other poems that talk about domesticating animals, in this anthology. The reader is asked to sympathize with the animals in either case, and not with man.
     Irving Layton’s “ The Bull Calf“ and Al Purdy’s “The Death of Animals”. And Alden Nowlan’s  “GOD Sour the Milk of the Knacking Wench” are poems in which animal deaths are juxtaposed to the trivial human action, with the human activities seen as casual.  Such a portrayal shows ironically that the humans are replacing the animals by killing them.  In other words, humans are shown as possessing animalistic killer instinct.

     Looking at the animal images as passive victims from position four, Canadian literatures show the double-sided image the man ought to possess as his personality ----- The one side, though is of a victimization syndrome, to be balanced well against the animalistic aggressive tendency to kill.  This is called as the “heroic restraint” of the Canadian animal-victim tradition.

survival

Sections of Survival
Survival is classified into four sections. The first group consists of first four chapters and it concern is with the patterns in Canadian literature. The next three chapters can be classified into second group which defines the 'figures' of representations in Canadian Literature. Chapters nine and ten deal with male and female Canadian artists respectively. The last two chapters throw some light on the insights of the artists.
The first chapter "Survival" puts forward the theme of survival in Canadian Literature. Chapter two is entitled, "Nature, the Monster'. As stated elsewhere in this paper, nature is rather hostile to Canadians. This aspect is reflected in Canadian literature. The chapter entitled "Nature, The Monster" explores this aspect.
Consider the following lines from Alden Nowlan's "April in New Brunswick": "Spring is distrusted here / for it deceives snow melts upon the lawns: ..." (quoted in Survival 49). The above lines throw light on the fact that the Canadians cannot enjoy even spring which is considered to be the queen of seasons. Canadians are always fighting against nature's wrath. Critics like Northrop Frye equate winter with death. Canadians are forced to live with such death like coldness. This aspect finds a prominent place in their literature. Atwood points out that the fault is not with the nature but with the man. She concludes this chapter by saying, "Nature is a monster, perhaps, only if you come to it with unreal expectations or fight its conditions rather than accepting them and learning to live with them" (66). Atwood suggests the reading of Earls Birney's David to trace the influence of nature in Canadian literature.
"Animal Victims" is the third chapter of the book. Canada was once the heaven of animals that lived in snow, but now many of them are extinct. This chapter deals with the theme of human's taking over of the land and displacement of animals. Consider the following lines from Purdy's "The Death of Animals": "Fox in deep frown suddenly imagined/a naked woman inside his rubric fur" (quoted in Survival 77). These lines reflect the cruelties borne by the animals. Margaret Atwood prescribes the reading of works such as Farley Mowat's Never Cry Wolf to understand this aspect.
"First People" comes as the fourth chapter. As the name suggests it deals with the works of non-Inuit aboriginals and Inuits (Eskimos) who were the natives of the land. Native Literature was not given due importance for decades. Only in early seventies of the twentieth century it regained its positions. Atwood quotes a few lines from Joseph Howe's "Song of the Micnac": "Free sons of the forest, then peal forth the song / With triumph smile on spots they fell" (93).
Most of the nature writings are based upon the sufferings of natives in the hands of aliens. Atwood feels that George Ryga's The Ecstasy of Rita Joe and Margaret Lawrence's A Bird in the House portrays natives as a social victims. "Nature as Monster" and "Animal Victims" provide excellent frameworks to eco-critical theory and subaltern studies.
Heritage of Explorers and Settlers
The fifth, sixth and seventh chapters namely "Ancestral Totems," "Family Portrait" and "Failed Sacrifice" explore the symbols of Canadian Literature. "Ancestral Totems" deals about the representations of explorers and settlers in literature. The explorers and settlers played an important role in shaping or rather carving Canada. They had to face a lot of hardships to do this. Atwood says, "Exploration" is a recurring motif in Canadian literature" (114). The exploration here cannot be equated with its Romantic parts. As Gwen MacEwen points out in his "The Shadow Makers", "... do not imagine that the exploration/ends, that she has yielded all her mystery" (quoted in Survival, 115), exploration was rather a tough job.
Family Portrait
Sixth chapter entitled "Family Portrait: Marks of the Bear" analyses the works which have family relationships and inheritance as their themes. Canada being a thinly populated country has a little scope for socialising. Hence the warmth in the family alone can give a sense of security to the Canadians. Canadians writers have looked into the positive and negative aspects of the concept of family. As Atwood says, "... this chapter (family portrait) looks at what our writers have made of the society which came into being after exploration and settlement" (131). In Canada family is often considered to be a trap. Unlike England, "... in Canada it is a trap in which you are caught" (131). The characters try to escape but they do not succeed in the attempt whereas their American counterparts succeed in it. Margaret Laurence's A Bird in the House seems to be a good illustration for these kinds of works. As the title of the above mentioned work suggests most of the Canadians consider themselves as free birds caught in a cage called 'house'.
The Reluctant Immigrant
Chapter seven is entitled as "Failed Sacrifices--The Reluctant Immigrant". The established norm is that sacrifices lead to great achievements. In the Canadian scenario, things are inverted. The first set of immigrants had to face a lot of adversaries. They had to sacrifice their wealth, social life, health and at times their life too. One of the questions asked through Canadian literature is "Where those sacrifices rewarded?" Often Canadian literature portrays situations which show fruitless sacrifices. Adel Wiseman's novel The Sacrifices throws light on all these aspects. This book can be viewed as a religious allegory or a realistic family novel or as a saga of disaster. Abraham, the protagonist ends up in mental asylum after doing a sacrifice both in literal and allegorical sense.
Bad Ends
The eighth chapter is "The Casual Incident of Death: Futile Heroes, Unconvincing Martyrs and Other Bad Ends". Death in Canadian sense is not an extraordinary event. It is rather a 'casual incident'. This attitude crept into the minds of Canadians due to the century long hardships faced by them in carving out Canada. As Atwood points out in Survival (first chapter), Canadian stories often have an 'unhappy ending' . Whether it be captured animals or heroes, death is inevitable. One of the representative Canadian literary figures is a loser. Canadian novels often question the traditional concept of a victorious hero. The tendency can be seen in plays and poems too. Carot Bolt's "Buffalo Jump" stands as a representative work in this aspect.
Paralyzed Artists
"The Paralyzed Artist", ninth among the chapters is unique. Till now, the focus was on writings. Now Atwood shifts the focus on writers. The mindscape of the artists is reflected in their works. Margaret Atwood finds a sort of literary and intellectual paralysis among the creative artists. This chapter throws light on the struggle of artists to establish themselves. The mentality of existence with escapism is portrayed in Pratt's poem, "Permanent Tourists". Atwood recommends reading of Grame Gibson's "Five Legs" to know more about this tendency.'
Ice Women
If chapter nine dealt with male artists, then chapter ten "Ice Women Vs Earth Mothers: The Stone Angel and the Absent Venus" deals with female artists and representation of women in Canadian literature. As the sub-title of the chapter suggests Canada and Canadian literature had no erotic Venus but toiling stone angels. Atwood points out that most of the powerful female characters are old women like Hagar. She asks, "Why are there no Molly Blooms in Canadian Literature?" (199). In order to answer this question, she makes a psychological study of Canadians. Canadians are more realistic. They needed a 'soul-mate' or a co-worker more than a Venus. Atwood adds that the portrayal of women in Canadian literature can be called no 'normal' than realistic. Margaret Laurence's The Stone Angel explains this idea.
French Canadian Literature
The eleventh chapter, "Quebec: Burning Mansions" contains Atwood's reflections on French Canadian literature. French Canadian writers share several key patterns with their English Canadian counterparts. These include negative use of religious imagery and survivalism. Theme of thwarted incest and theme of failed entrepreneur is also seen. In addition to this fire acts as a leitmotif in French Canadian literature. As Atwood says, "Quebec authors love having their characters start them [fire] or die in them" (228). This may be due to the influences of the teachings about 'purgational fire.' At this point it should be noted that most of the French Canadian authors have Catholic roots. Atwood points out, "Quebec authors may have trouble imagining the world after the fire, English Canadian ones are just beginning to imagine the fires itself" (230).
Re-creations
The final chapter is "Jail-Breaks and Re-creations". The title of this chapter comes from the poem of Margaret Avision which reads:
   Nobody stuffs the world in at your eyes
   The optic heart must venture a jail break
   and re-creation (quoted in Survival, 246)
In the opening of this chapter, Atwood says, "It came as a shock to me to discover that my country's literature was not just British literature imported or American literature with something missing that instead it had a distinct tradition and shape of its own. The shock was partly exhilarating, partly depressing" (237). She points out that the Canadian writers can break the jails made of rules and try their hand in political writings and experimental writing. She analyses the position of the readers too. She says, "... a reader must face the fact that Canadian literature is undoubtedly sombre and negative ..." (245). Inspite of this the reader must learn to observe the contrast. She concludes by saying that jail breaks is an escape from old habits of looking things and re-creating is a new way of looking things. She concludes the book with two thought provoking questions: "Have we survived? If so what happens after survival (246)
Rediscovering Canadian Literature Identity
Survival can be considered as a re-discovery of Canadian Literature and identity. The terms 'discovery' refers to an act of finding something which was hitherto hidden. Here Survival is a rediscovery in the sense that it collected the elements of Canadian-ness which was scattered around though volumes. There were quite a number of discoverers but Atwood is a re-discoverer who pulled out facts from stacks of papers.
In spite of this fact Survival has been strongly attacked by several Canadian critics. Davey, in his "Surviving the Paraphrase" attacks Survival and refuses to accept it as seminal text in Canadian criticism. Davis "... accused thematic critics of lacking confidence in Canadian Literature, of being 'anti-evaluative', looking towards alleged cultural influences and determines instead of working to explain and illuminate the work on its own terms" (qtd. in Tolan 220). Davis attacked the ". . . vulgar sociology of Frye, Jones, Atwood and Moss, which stereotypes Canadian consciousness" (qtd. in Tolan, 220). Further Davey's prime concern was that ". . . the thematic criticism subsumed the individual identity into a humanistic cultural whole" (Tolan 220).
To Conclude
The above criticism cannot be accepted. Survival is more than a paraphrase. As stated earlier, chapters such as "Nature the Monster" and "Animal Victims" give priority to the eco-critical issues. Similarly, "First People" records the concerns and representations of Natives."Failed sacrifices: The Reluctant Immigrant" traces the psyche of expatriates. "The Paralysed Artist" throws light on how the mindscape of artist is connected with landscape portrayed in their work. "Ice Women Vs Earth Mothers" has feminist concerns. Further in the conclusion, she asks the writers to break the traditional writing and explore new areas. Due to these reasons Survival cannot be neglected or ignored as a mere paraphrase. However, it is true that Atwood had ignored issues such as 'EnglishCanadian Post-colonialism' which was later theorised by critics like Cynthia Conchite Sugars (xiii). In spite of such short-comings, there is no doubt in the fact that Survival was the first cardinal text to theorise Canadian Literature.